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U167 has title proper: [title to be determined]

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U167 has title proper: [title to be determined]

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U10 has order number: 19
U167 has title proper: [title to be determined]

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U10 has order number: 18
U167 has title proper: [title to be determined]

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U10 has order number: 17
U167 has title proper: [title to be determined]

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U10 has order number: 16
U167 has title proper: [title to be determined]

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U10 has order number: 15
U167 has title proper: [title to be determined]

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U167 has title proper: [title to be determined]

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U167 has title proper: [title to be determined]

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U167 has title proper: [title to be determined]

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U167 has title proper: [title to be determined]

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U167 has title proper: [title to be determined]

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U10 has order number: 9
U167 has title proper: [title to be determined]

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U167 has title proper: [title to be determined]

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U167 has title proper: [title to be determined]

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U10 has order number: 6
U167 has title proper: [title to be determined]

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U10 has order number: 5
U167 has title proper: [title to be determined]

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U10 has order number: 4
U167 has title proper: [title to be determined]

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U10 has order number: 3
U167 has title proper: [title to be determined]

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U10 has order number: 2
U167 has title proper: [title to be determined]

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U167 has title proper: Se per gridar ohimè
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extent: (c. 89b)

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U10 has order number: 101
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author of text: G. Chiabrera
U167 has title proper: O begl' occhi pupillette
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extent: (c. 88b)

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U10 has order number: 100
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extent: (c. 87b)

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U167 has title proper: Dispiegate guancie amate
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U10 has order number: 98
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U167 has title proper: O tu eh' a tutt'hore
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U167 has title proper: Chi da lacci d'amor uiene disciolto
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extent: (c. 84a)
note: La Dafne di O. Rinuccini, Scena II, Amore

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note: La Dafne di O. Rinuccini, Prologo di Ovidio

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note: La Dafne di O. Rinuccini, Scena VI, Aria d'Apollo

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note: Per la mancanza di un gruppo di cc. il testo della c. 48a non appartiene a questa composizione.

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author of text: J. Sanazzaro
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note: aria variata

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title: Dolcissime sirene
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note: Intermedio I, 1589

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note: In fìne si legge : Joannis de Macques Psalmodiare Finis.

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U167 has title proper: Settimo Tono
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U167 has title proper: Quinto Tono
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U10 has order number: 7
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U167 has title proper: 4° Tuono
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U167 has title proper: 3° Tono
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U167 has title proper: Secondo Tono
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note: Alla fìne si legge : 3° ricercare con 3 fughe e rouesci. Ma esso non c'è : in calce alle cc. Sb-9\ sono lasciati in bianco 4 righi musicali].

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Firenze, Biblioteca del Conservatorio di musica "Luigi Cherubini", Ms. B. 2439 (Basevi 2439), n° 32-34.
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references: Clifford Marion Shipp, A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Frarnçais 1597. (PhD. Diss. North Texas State College 1960)

Clifford Marion Shipp, A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Frarnçais 1597. (PhD. Diss. North Texas State College 1960)
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references: Bologna, Civico museo bibliografico musicale (olim Liceo), Ms. Q. 17 (Cod. 108), n° 32.

Bologna, Civico museo bibliografico musicale (olim Liceo), Ms. Q. 17 (Cod. 108), n° 32.
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Bologna, Civico museo bibliografico musicale (olim Liceo), Ms. Q. 17 (Cod. 108), n° 26.
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Bologna, Civico museo bibliografico musicale (olim Liceo), Ms. Q. 17 (Cod. 108), n° 4.
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Bologna, Civico museo bibliografico musicale (olim Liceo), Ms. Q. 17 (Cod. 108), n° 10.
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Bologna, Civico museo bibliografico musicale (olim Liceo), Ms. Q. 17 (Cod. 108), n° 2.
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…
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references: Corpus mensurabilis musicae, 87. Johanni Parvi, Opera omnia ed.Barton Hudson, 1 vol., 1979.

Corpus mensurabilis musicae, 87. Johanni Parvi, Opera omnia ed.Barton Hudson, 1 vol., 1979.
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references: Claudio Sartori, Bibliografia delle opere musicali stampate da Ottaviano Petrucci, Firenze 1948, n° 28
references: Bologna, Civico museo bibliografico musicale (olim Liceo), Ms. Q. 18 (Cod. 143), n° 62.

Claudio Sartori, Bibliografia delle opere musicali stampate da Ottaviano Petrucci, Firenze 1948, n° 28
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Bologna, Civico museo bibliografico musicale (olim Liceo), Ms. Q. 18 (Cod. 143), n° 62.
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references: Denkmäler der Tonkunst in österreich… unter Leitung von Guido Adler, Erich Schenk, Wien, 1894-, n° 28 (XIV) Heinrich Isaac. Weltliche Werke bearb. von Johannes Wolf. Wien 1907.

Denkmäler der Tonkunst in österreich… unter Leitung von Guido Adler, Erich Schenk, Wien, 1894-, n° 28 (XIV) Heinrich Isaac. Weltliche Werke bearb. von Johannes Wolf. Wien 1907.
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note: [2 T., nella tav. d'indice si legge: del gardinale di Medici, certamente Giovanni, Papa Leone X].
references: Franz Xaver Haberl, Eine Komposition des Cardinal Jo. de Medicis in KmJb III (1888), p. 39ff.

Franz Xaver Haberl, Eine Komposition des Cardinal Jo. de Medicis in KmJb III (1888), p. 39ff.
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references: Isabel Pope & Masakata Kanazawa, The musical manuscript Montecassino 871. A Neapolitan repertory of sacred and secular music of the late fifteenth century. Ed. by Isabel Pope and Masakata Kanazawa. Oxford 1978

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Bologna, Civico museo bibliografico musicale (olim Liceo), Ms. Q. 17 (Cod. 108), n° 56.
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Firenze, Biblioteca Nazionale Centrale, Ms. Panciatichi 27, n° 96.
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Bologna, Civico museo bibliografico musicale (olim Liceo), Ms. Q. 17 (Cod. 108), n° 54.
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Bologna, Civico museo bibliografico musicale (olim Liceo), Ms. Q. 17 (Cod. 108), n° 63.
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U229 has music format: http://www.rdaregistry.info/termList/formatNoteMus/#1004
musical notation: http://www.rdaregistry.info/termList/MusNotation/#1003
musical notation: black void mensural
voice: Cantus
voice: Altus
voice: Tenor
voice: Bassus
extent: f. 4r-5v
description based on: Cantus book
incipit number: 1.1.1
incipit voice instrument: Cantus
text incipit: De perch[è] in odio m'hay
print concordance: https://opac.rism.info/search
references: Pisano, Bernardo, Collected Works, Frank A. D'Accone (ed.), 1966, p. 20-22.
description: Madrigal

https://floreat-musica-itatti-temp.libnamic.eu/api/items/339
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type: MusicComposition
id: 339
is public: true
owner: https://floreat-musica-itatti-temp.libnamic.eu/api/users/5
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resource template: https://floreat-musica-itatti-temp.libnamic.eu/api/resource_templates/15
title: Quanto più desiar[e] sento'l mio core
created: 2021-10-08T14:40:13+00:00
modified: 2023-04-13T09:57:13+00:00
item set: https://floreat-musica-itatti-temp.libnamic.eu/api/item_sets/67
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site: https://floreat-musica-itatti-temp.libnamic.eu/api/sites/5
has instance: Q116247214
U10 has order number: 1
is part of: https://floreat-musica-itatti-temp.libnamic.eu/api/items/116
title: [without title]
U167 has title proper: Quanto più desiar[e] sento'l mio core
music arrangement: No
genre form: gf2014026984
scoring: voices (4)
voice instrument: C A T B
language: ita
autograph or copy: copy
created: 1500/1549
U229 has music format: http://www.rdaregistry.info/termList/formatNoteMus/#1004
musical notation: http://www.rdaregistry.info/termList/MusNotation/#1003
musical notation: black void mensural
voice: Cantus
voice: Altus
voice: Tenor
voice: Bassus
extent: f. 1r-2v
description based on: Cantus book
incipit number: 1.1.1
incipit voice instrument: Cantus
text incipit: Quanto più desiar sento'l mio core
references: Pisano, Bernardo, Collected Works, Frank A. D'Accone (ed.), 1966, p. 52-56.
description: Madrigal

Q116247214
type: uri
property id: 1733
property label: Instance of Work
is public: true
label: Quanto più desiar[e] sento'l mio core

https://floreat-musica-itatti-temp.libnamic.eu/api/items/335
type: Item
type: MusicComposition
id: 335
is public: true
owner: https://floreat-musica-itatti-temp.libnamic.eu/api/users/5
resource class: https://floreat-musica-itatti-temp.libnamic.eu/api/resource_classes/767
resource template: https://floreat-musica-itatti-temp.libnamic.eu/api/resource_templates/15
title: Jam pris amours
created: 2021-10-08T09:58:10+00:00
modified: 2023-04-13T09:57:13+00:00
site: https://floreat-musica-itatti-temp.libnamic.eu/api/sites/1
site: https://floreat-musica-itatti-temp.libnamic.eu/api/sites/4
site: https://floreat-musica-itatti-temp.libnamic.eu/api/sites/5
U10 has order number: 40
is part of: https://floreat-musica-itatti-temp.libnamic.eu/api/items/116
music attribution source: RISM
title: [without title]
U167 has title proper: Jam pris amours
music arrangement: No
genre form: gf2014026984
scoring: voices (4)
voice instrument: C A T B
language: mis
autograph or copy: copy
created: 1500/1549
U229 has music format: http://www.rdaregistry.info/termList/formatNoteMus/#1004
musical notation: black void mensural
musical notation: http://www.rdaregistry.info/termList/MusNotation/#1003
voice: Cantus
voice: Altus
voice: Tenor
voice: Bassus
extent: f. 49r-49v
description based on: Cantus book
incipit number: 1.1.1
incipit voice instrument: Cantus
text incipit: Jam pris amours (Jam pris amours Nous amys scaramella / Jam pris amours non dormite / Ma buce rit)
manuscript concordance: I-Fn|Banco Rari 337|34v-35r
references: Brown, Howard Meyer, Music in the French secular theater, 1400-1550, Cambridge, Harvard University Press, 1963.
description: Zibaldone
note: Macaronic
attribution status: Attribution from scholarship

Brown, Howard Meyer, Music in the French secular theater, 1400-1550, Cambridge, Harvard University Press, 1963.
type: uri
property id: 36
property label: References
is public: true

…
type: uri
property id: 36
property label: References
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