https://floreat-musica-itatti-temp.libnamic.eu/api/items/116
type: Item
type: CollectiveManuscript
id: 116
is public: true
owner: https://floreat-musica-itatti-temp.libnamic.eu/api/users/5
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resource template: https://floreat-musica-itatti-temp.libnamic.eu/api/resource_templates/12
title: Magliabechiano XIX.164-167
created: 2021-05-27T07:43:47+00:00
modified: 2023-03-02T09:48:14+00:00
item set: https://floreat-musica-itatti-temp.libnamic.eu/api/item_sets/2048
site: https://floreat-musica-itatti-temp.libnamic.eu/api/sites/1
site: https://floreat-musica-itatti-temp.libnamic.eu/api/sites/4
site: https://floreat-musica-itatti-temp.libnamic.eu/api/sites/5
shelf mark: Magliabechiano XIX.164-167
provenance: Med. Palat.
title: [without collection title]
U167 has title proper: Biblioteca Nazionale Centrale Firenze, I-Fn, MS Magl. XIX. 164-167
genre form: gf2014026984
description: Mottetti
description: Canzoni
description: Villotte
description: Chansons
U229 has music format: http://www.rdaregistry.info/termList/formatNoteMus/#1004
extent: 116 leaves
base material: Paper
dimensions: 107 x 167 mm
index: Original index in Discantus book
decoration: “As in FlorBN BR 229, FlorBN Magl. 121, and FlorBN Magl. 122-5, the edges of the folios are painted gold, and bear tooled designs”, Crawford.
watermark identifier: 5963
watermark: One of the watermarks resembles Briquet #5963; the same mark or a similar one is also found in BolC Q21 (Rifkin), FlorBN Magl. 111, 112, and 122-5.
U197 has binding: Original covers of brown tooled leather, with impressed medallion flanked by 'S' and 'C' and surrounded by 'Divus Augustus'.
note: Foliation: Old foliation only in Altus book; new foliation only in Bassus book. The scribe also appears in portions of FlorC 2440 and FlorBNMagl. 178; the pieces by this scribe in FlorC 2440 were evidently copied directly from this manuscript (Rifkin). Copied in Florence. The Te Deum and one of the Italian pieces are later additions.
identifier: https://www.diamm.ac.uk/sources/1407/#/
identifier: https://www.diamm.ac.uk/sources/2895/#/
identifier: https://www.diamm.ac.uk/sources/2896/#/
identifier: https://www.diamm.ac.uk/sources/2897/#/
identifier: Q114592649
repository catalog number: Becherini 67
references: http://www.worldcat.org/oclc/862003
references: http://www.worldcat.org/oclc/15859727
place of manufacture: http://www.geonames.org/3175395
rism description: XVIe s. Papier 110 x 164 mm. 4 livres: Cantus (167), 116ff. + 3ff. limin. portant la Table et 1 f. à la fin; les ff. 56r-v, 85 à 86v, 113 à 115, 116 sont blancs. Au f. 112v, pièce instr. copiée postérieurement. Altus (164), 122ff. + 3ff. limin. et 3 à la fin; les ff. 42r-v, 62r-v, 91v à 92v sont blancs. Tenor (166), 120ff., les ff. 2, 40v, 60v, 87v à 90v, 116 à 119, 120 sont blancs. Au f. 1, Table incomplète du ms. Bassus (165), 120ff. + 2ff. limin. et 2ff. à la fin; les ff. 38 à 40v, 59v à 60v, 89v à 90v, 115v, 116, 117v à 119, 120 sont blancs. Aux ff. 116v-117, pièce instr. copiée postérieurement. Foliotation moderne au bas des ff. et numérotation ancienne de chaque pièce en ch. romains. Au Tenor, foliotation et numérotation anciennes. Notation mesurée blanche. 3 portées par p. Au 1er f. limin. de tous les vol. cachet portant: Med. Palat. Bibl. Caes. Reliures anciennes (dos refait au Cantus) cuir estampé avec médaillon orné d'un buste entouré de l'inscription: Divus Augustus. Il est très clair que le scribe a suivi un plan préétabli quant à l'ordre des pièces dans le ms. où l'on distingue 3 sections: 1. Chansons italiennes (nos 1 à 45); 2. Chansons françaises (nos 46 à 69); 3. Motets latins (nos 70 à 81), les nos 82 et 83 ayant été copiés postérieurement. Le ms. où la nouvelle école (avec Pisano et S. Festa) côtoie les valeurs sûres (comme Josquin, Isaac ou Compère), se présente ainsi comme le ms. idéal conçu à la fois pour la distraction et pour l'édification d'un amateur de musique, et il est probable qu'il a été compilé dans ce but pour quelque mécène de noble famille florentine. Les datations proposées ne montrent pas de divergences sensibles: 1515-1516 (Bragard); ca. 1520 (Einstein, Rifkin); 1520-1525 (Pannella); ca. 1525 (D'Accone); 1514-1529 (Jeppesen qui s'appuie sur les filigranes du papier que l'on retrouve aussi dans I-Bc 21). Les concordances qui s'établissent avec des recueils imprimés chez Petrucci, Antico et Dorico entre 1510 et 1531, ou avec des ms…
census description: 1 Te Deum, 12 motets, 24 French secular pieces, 49 Italian secular pieces = 86 (Bruhier)-3, (Cara/Pesenti/Tromboncino)-1, (Carpentras)-1, (Compere)-6, (S. Festa)-6 + 2?, (Isaac)-2, (Josquin)-9, (Mouton) -3, (Musicola)-1, (Ninot le Petit)-5, (Obrecht)-1, (Ostia or Santacroce? F.P.)-2, (Pesenti)-2, (Pipelare)-1, (Pisano)-12 + 7?, (Silva)-1, (Tromboncino)-2, anon-20 4 paper partbooks (D-116 folios, A-122, T-120, B-120), 107x167. Old foliation in altus book; new foliation in bassus. Original covers of brown tooled leather, with impressed medallion flanked by "S" and "C" and surrounded by "Divus Augustus." Original index in discantus book. The scribe also appears in portions of FlorC 2440 and FlorBN Magl. 178; the pieces by this scribe in FlorC 2440 were evidently copied directly from this manuscript (Rifkin). As in FlorBN BR 229, FlorBN Magl. 121, and FlorBN Magl. 122-5, the edges of the folios are painted gold, and bear tooled designs (Crawford). One of the watermarks resembles Briquet #5963; the same mark or a similar one is also found in BolC Q21 (Rifkin), FlorBN Magl. 111, 112, and 122-5. The Te Deum and one of the Italian pieces are later additions. 1530-40 (BecherTI); 1520-5 (PanneCP); ca. 1515-ca. 1522 (Rifkin). Copied in Florence. Vol 4 Composers: Add "(Leo X)-1"; change "(S. Festa)-6 + 2?" to "(C. Festa/S. Festa)-1, (S. Festa)-5 + 2?"; change "(Ostia or Santacroce? F.P.)-2" to "(Santacroce)-2"; change "anon-20" to "anon-19."
description: B. Becherini, 67: MAGL. XIX. 164, 165, 166, 167. Cart., prima metà XVI sec., anepigr ., adesp.; mm. 115 X 175; 4 voll. ( Cantus, Altus, Tenor, Bassus). Cantus, cc. 116 modem. numerate, tre guardie in principio, scritte (Tav. d'indice), una in fìne, scritta : bianche le cc. 56a-56b, 85a-86b, 113b-115a, 116a . Altus, cc. 122 modem. numerate, tre guardie in principio, una scritta; tre in fìne, una scritta: bianche le cc. 42a-42b, 62a-62b, 91b-92b. Tenor, cc. 120 (115 con esatta numerazione antica + 5 modem. numerate), due guardie in principio, una scritta (frammento d'indice), e tre in fine, una scritta: bianche le cc. 87b-90b, 116a-119a, 120a . Bassus, cc. 120 modem. numerate, due guardie in principio, scritte; tre guardie in fine, una scritta: bianche le cc. 38a-40b, 59b-60b, 89b-90b, 115b-116a, 117b-119a. All'inizio dei vari voll. (guardie o 1 a c.) ex libris, Med. Palat. Bibl. Caes. Legatura coeva in pelle con impressioni a secco, taglio dorato. In ambedue i piatti di ciascun vol., al centro, un medaglione con un busto romano e la scritta : S. Divus augustus C. Mottetti, canzoni, villote e chansons a quattro voci. N. B. - Numerose delle composizioni contenute nella prima parte del presente ms. si trovano pure - benchè in esemplare mutilo, cioè limitato alle sole parti dell' Altus e del Bassus - nella stampa petrucciana (23 Maggio 1 520, unicum, Siviglia, Bibl. Capitolare Colombina), Musica de meser / Bernardo pisano sopra le Canzone del / petrarcha. Ved. C. SARTORI, Bibliografia delle opere musicali stampate da Ott. Petrucci, Firenze, 1948, pp. 190-191.

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gf2014026984
type: customvocab:16
property id: 1674
property label: Genre/form
is public: true
label: Part songs

http://www.rdaregistry.info/termList/formatNoteMus/#1004
type: uri
property id: 355
property label: U229 has music format
is public: true
label: 4 parts

5963
type: uri
property id: 4919
property label: Watermark identifier
is public: true
label: Briquet 5963

https://www.diamm.ac.uk/sources/1407/#/
type: uri
property id: 10
property label: Identifier
is public: true
label: DIAMM I-Fn MS Magl. XIX.164

https://www.diamm.ac.uk/sources/2895/#/
type: uri
property id: 10
property label: Identifier
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label: DIAMM I-Fn MS Magl. XIX.165

https://www.diamm.ac.uk/sources/2896/#/
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property id: 10
property label: Identifier
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label: DIAMM I-Fn MS Magl. XIX.166

https://www.diamm.ac.uk/sources/2897/#/
type: uri
property id: 10
property label: Identifier
is public: true
label: DIAMM I-Fn MS Magl. XIX.167

Q114592649
type: uri
property id: 10
property label: Identifier
is public: true
label: Q114592649

http://www.worldcat.org/oclc/862003
type: uri
property id: 36
property label: References
is public: true
label: Becherini, Bianca, Catalogo dei manoscritti musicali della Biblioteca Nazionale di Firenze, Kassel, New York, Bärenreiter, 1959.

http://www.worldcat.org/oclc/15859727
type: uri
property id: 36
property label: References
is public: true
label: Brown, Howard Mayer, Florence, Biblioteca Nazionale Centrale, MSS Magl. XIX, 164-167, 1987. Renaissance music in facsimile, v. 5

http://www.geonames.org/3175395
type: uri
property id: 3588
property label: Place of manufacture
is public: true
label: Italy

https://floreat-musica-itatti-temp.libnamic.eu/api/resources/335
title: Jam pris amours
is part of: https://floreat-musica-itatti-temp.libnamic.eu/api/items/116

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title: Quanto più desiar[e] sento'l mio core
is part of: https://floreat-musica-itatti-temp.libnamic.eu/api/items/116

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title: De perch[è] in odio m'hay
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https://floreat-musica-itatti-temp.libnamic.eu/api/resources/344
title: Si e debile el filo
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