Items

• La Courone et fleur des chansons a troys: A Mirror of the French Chanson in Italy in the Years between Ottaviano Petrucci and Antonio Gardano
• Music in the French secular theater, 1400-1550
• C1|Magl.XIX.112
• Sebastiano Festa
• Eustachio Romano
• François Dubois
• Claudin de Sermisy
• Un canzoniere musicale italiano del cinquecento: Bologna, Conservatorio di musica "G.B. Martini" ms. Q 21
• The secular music of Claudin de Sermisy
• Opera omnia Sermisy
• Un canzoniere musicale italiano del cinquecento: Bologna, Conservatorio di musica "G.B. Martini" ms. Q 21
• C1|Magl.XIX.112

  Copyist of I-Fn|Magliabechiano.XIX.111 and I-Fn|Magliabechiano.XIX.112. Uses a rapid cursive hand and black ink. Some trivial mistakes in Italian may suggest they are a French native speaker
• C1|Magl.XIX.111

  Copyist of I-Fn|Magliabechiano.XIX.111 and I-Fn|Magliabechiano.XIX.112. Characterised by a rapid cursive hand. Consistent spelling mistakes in the Italian texts suggest that the copyist may be a french native speaker.
• I1|Magl.XIX.113

  Copyist and decorator of Magliabechiano XIX.113. Apparently a non-professional copyist.
• C1|Magl.XIX.113

  Copist and decorator of Magliabechiano XIX.113. Apparently a non-professional copyist.
• I1|Magl.XIX.122-125 |Antonius

  Copyist and decorator of Magl.XIX.122-125. A professional scribe, active in Florence in the first half of the sixteenth century. He identifies himself as "Antonius" in several places of the MS.
• A New Source for the Early Madrigal
• Handbuch der Notationskunde
• Digital Image Archive of Medieval Music
• Madrigals from the Last Florentine Republic
• C1|Magl.XIX.122-125 |Antonius

  Copyist and decorator of Magl.XIX.122-125. A professional scribe, active in Florence in the first half of the sixteenth century. He identifies himself as "Antonius" in several places of the MS.
• Instrumental duo 3

  59
• Instrumental duo 2

  58
• Instrumental duo 1

  57
• C2-Magl.XIX.99

  A later hand, responsible for the copy of three instrumental pieces at the end of Magl.XIX.99
• Francesco de Layolle
• Costanzo Festa
• Popularity in the sixteenth-century madrigal: A study of two instances
• Articulating Arcadelt’s swan
• Music of the Florentine Renaissance
• Music of the Florentine Renaissance
• Francesco Corteccia
• Jacques Arcadelt
• Il primo libro de' madrigali a quattro voci (1533) di Philippe Verdelot nel contesto dell'età della canzone (1520-1530)
• The politicized muse: music for Medici festivals, 1512-1537
• Ms Florence, Biblioteca nazionale centrale, Magl. XIX, 164-167
• The lion's ear: Pope Leo X, the Renaissance papacy, and music
• The Maecenas and the madrigalist: patrons, patronage, and the origins of the Italian madrigal
• Collected secular works for 2, 3, 4 and 5 voices (Layolle)
• Opera omnia Arcadelt
• Opera omnia Verdelot
• Opera omnia Festa
• I1-Magl.XIX.99-102

  Artist responsible for the cadels of Magl.XIX.99-102
• Philippe Verdelot
• The Italian madrigal in the early sixteenth century: sources and interpretation
• Music research in Italian libraries; an anecdotal account of obstacles and discoveries
• Collected secular works for 2, 3, 4 and 5 voices
• C1|Magl.XIX.99-102

  The main copyist of MS Magl.XIX.99-102. According to Rifkin (Census: I, 222.3), the same copyist was also responsible for the second section of I-Fc MS Basevi 2495. Fenlon and Haar (1980:164) disagree.
• Piero degli Organi
• Cipriano de Rore
• Giovanni Domenico da Nola
• Emanuel Adriansen
• Jean de Macque
• Tablature de luth italienne dit Siena manuscript: ca 1560-1570 : facsimilé du Ms. 28 B 39 (ancienne Bibliothèque Scheurleer), La Haye, Gemeentemuseum
• Francesco da Milano
• C1-Magl.XIX.168

  Amateur lutenist, associated with Jacopo Corsi (Falkenstein 1997: 71)
• NOTES ON FOUR SIXTEENTH-CENTURY TUSCAN LUTEBOOKS
• The late sixteenth-century repertory of Florentine lute song
• TC1-Magl.XIX.62
• Jean-Antoine de Baïf
• Je n'auray point la grace que j'atten

  16
• I1-MaglXIX.57
• C1-Magl.XIX.57
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• Burney and Ambros as Editors of Josquin's Music
• Recent researches in the music of the Middle Ages and early Renaissance
• Opera omnia Heinrich Isaac

  Opera Omnia
• Möglichkeiten und praktische Anwendung der Verfasserbestimmung an anonym überlieferten Kompositionen der Josquin-Zeit
• The New Grove dictionary of music and musicians
• Census-catalogue of manuscript sources of polyphonic music, 1400-1550
• The first printed book of motets: Petrucci's Motetti ... A (Venice, 1502) and Motetti ... B (Venice, 1503) : a critical study and complete edition
• Rome, Biblioteca Apostolica Vaticana, Cappella Giulia X111.27, and the dissemination of the Franco-Netherlandisn chanson in Italy, c. 1460-c. 1530
• Some Neglected Composers in the Florentine Chapels, ca. 1475-1525
• Opera omnia Josquin des Prez
• LE COMPOSIZIONI PROFANE DI UNA RACCOLTA FIORENTINA DEL CINQUECENTO
• Flemish music and society in the fifteenth and sixteenth centuries
• Un manuscrit florentin du Quattrocento: le Magl. XIX, 59 (B. R. 229)
• Aspects of medieval and Renaissance music; a birthday offering to Gustave Reese
• Heinrich Isaacs Motetten in italienischen Quellen
• Opera omnia Alexander Agricola
• The chanson albums of Marguerite of Austria: manuscripts 228 and 11239 of the Bibliothèque royale de Belgique, Bruxelles
• Opera omnia Loyset Compère
• Florence: The City of Hothby and Ramos
• Die Musik in Geschichte und Gegenwart: allgemeine Enzyklopädie der Musik
• MOSTRE ITALIANE
• Vijftiende en zestiende eeuwsche Muziekhandschriften in Italië met werken van Nederlandsche Componisten
• Der Kopenhagener Chansonnier; das Manuskript Thott 291⁸ der Königlichen Bibliothek, Kopenhagen,
• Handbuch der notationskunde
• Denkmäler der Tonkunst in Österreich
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• Opera omnia François Roussel

  François Roussel
• François Roussel: A Northern Musician in Sixteenth-Century Rome
• La frottola
• I canti carnascialeschi nelle fonti musicali del XV e XVI secolo
• Notes on the Origin of the Parisian Chanson
• Emulation, Competition, and Homage: Imitation and Theories of Imitation in the Renaissance
• The collected works
• New Obrecht edition
• A Florentine chansonnier from the time of Lorenzo the Magnificent: Florence, Biblioteca nazionale centrale, MS Banco rari 229
• The Mellon chansonnier